Posted by: Andy (aaa) on Sun Jan 8 22:28:35 2006

I'm fairly sure that was in fact Schmidt's assertion in his book. Here is a sample of Rob Ellis' teachings. Ellis co-wrote Schimdt's book


SIMPLE LOGIC

Musial, Aaron, Mays, DiMaggio, Ruth, Gehrig, all the successful players of the past, knew a few simple principles:

The fastball arrives from the pitcher’s hand to the strike zone, for the most part, on a straight-line path.
He, the hitter, must swing his bat on the same straight line as the pitch for maximum collision factor.
If his swing bisects the straight-line path of the fastball with an uppercut, contact is minimized.
These simple principles were put in play by DiMaggio, Dixie Walker, Vern Stephens, Ralph Kiner and nearly every other hitter featured in the vintage films. This is what they were doing. When viewed in slow motion, it almost seems like their bats are guided by invisible rails that keep it perfectly level.

Each Of These Rail-Straight Swings Are Characterized By Three Movements:

An angled (approximately 45 degree) approach of the bat from the stance position. As the arms and hands extend forward at this angle, the bat head lags behind, tracing out the level path to the contact zone.
After contact, the wrists execute a flat "roll over." This flat rollover action serves to keep the bat on the level plane well after the ball has left the bat. The wrists do not roll upward into a silly, golf-type finish. This way, the rollover does not distort the end of the level path as it connects with the ball.
The level plane and wrist rollover continue into a low finish, at or below shoulder level.